Apart from ms-20 lead, complete modular patch, completely sequenced from stepped sequencers.
Clocked Pressure Points sequencing a Minisizer, Rene providing tranposition via a Vermona attenuated Mixer with the A+B out. Rene stepped from Varigate 8. Flutey type sound is a Doepfer Quadrature Thru-Zero VCO, again from Pressure Points, but filtered with filter freq controlled with Doepfer A-147-2
Bass provided from two Doepfer VCOs ringmodded and sent through filter, which was also controlled by random voltage generator which was then sampled and held, sequencer by Analogue Solutions Oberkorn/Eurokorn variant, clocked again by Varigate 8.
Drums by MI Peaks - gated from Varigate 8. Cymbal filtered noise, split into two VCAs which were controlled from both Maths functions to get the pan effect.
Post production in Ableton. Thought I better had start taking this more seriously. Though I may have got carried away. Edit - now replaced file with a one with little more restraint on mix.
Bastl Kastle provided the evident colour at the beginning.
MS-20 played through EHX Memory Man Hazarai - with the Minisizer out also going into the ESP which the Envelope follower was sent to the EXT Frequency in - with input attenuate by the EG2 to cause the seemingly random modulation.
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